Golden hour - Wesley Steenbergen/Babovnikova - Jornah

To tackle the challenges presented in "Golden Hour," a focused approach is recommended:

• Use of Metronome: Set the metronome to a slower speed to master the timing of the transitions. Gradually increase the speed as fluency improves.

• Chunking Technique: Divide the piece into smaller sections. For instance, work on Bars 1-8 and then Bars 9-16 separately. Once each section is comfortable, begin to connect them.

Additionally, through repetition and structured practice, users will not only overcome technical difficulties but also develop a deeper musical expression when interpreting the piece.

Analysis of "Golden Hour" by Wesley Steenbergen

"Golden Hour" is composed in E major and features a 3/4 time signature, creating a waltz-like feel that enhances its lyrical quality. The piece maintains a lively tempo of 188 BPM, which adds to its spirited character.

Structure and Harmonic Progressions

The score reveals a beautiful blend of melody and harmony. The primary melodic section is predominantly based on repeating motifs that create a sense of familiarity and comfort. The main melody, presented in the right-hand part, consists of ascending and descending sequences prominently featuring notes from the E major scale. This consistency not only captures the listener's attention but also ensures a cohesive flow throughout the piece.

The chord progressions primarily follow I (E), IV (A), and V (B) relationships, with variations that introduce VII (D#) and occasionally use VI (C#). For example:

• Bars 1-4 illustrate a recurring melodic theme centered around F#5, G#5, and B5, emphasizing the I (E) chord.

• In Bars 5-8, the rich texture of E5 and A5 chords reinforces the harmonic foundation while the melody continues its engaging pattern.

Rhythmic Patterns

The rhythmic motifs are characterized by a consistent interplay between quarter and eighth notes, providing a dance-like quality. The left-hand chords support the melodic line with arpeggios that offer rhythmic stability. Notably, in Bars 13-16, triplet figures create a subtle syncopation that enriches the texture, demonstrating Steenbergen’s skillful use of rhythm.

Golden hour

• Artist
  Wesley Steenbergen/Babovnikova
• Number of imitations
  111
• Genre
  Wesley Steenbergen/Babovnikova
• Key
  E
• Tempo
  188
• Pages
  -
• Notation
  Wesley Steenbergen/Babovnikova
• Compose
  Wesley Steenbergen
• Introduction
  Analysis of "Golden Hour" by Wesley Steenbergen"Golden Hour" is composed in E major and features a 3/4 time signature, creating a waltz-like feel that enhances its lyrical quality. The piece maintains a lively tempo of 188 BPM, which adds to its spi