We Don't Talk About Bruno - Lin-Manuel Miranda

While the piece is designed to be accessible, it presents several performance challenges, particularly for intermediate players:

Difficult Sections:

• Measures 8-10: These measure sequences involve rapid hand crossings and octave jumps that require dexterity and precision. Here, the melody moves quickly between Eb5 and Bb4, necessitating swift and accurate finger work.

• Measures 20-25: The rhythmic complexity increases, combining staccato and legato techniques that may be challenging. The player must master the transitions to maintain the flow of the music.

• Measures 50-55: The intertwining of melody and accompaniment leads to potential hand coordination issues, especially when the left hand plays lower harmonies while the right hand executes rapid runs.

Suggested Solutions:

• Isolation of Hands: Players may find it helpful to practice difficult passages with one hand at a time before combining both.

To effectively tackle the performance challenges presented in the score, consider the following strategies:

• Isolate Problematic Measures: Spend several practice sessions focusing solely on measures identified as challenging. For instance, dedicate time solely to mastering measures 8-10, aiming first for accuracy before speed.

• Rhythmic Variations: Experiment with different rhythmic patterns within tricky sections. For example, practice the runs in measures 20-25 with varying note durations, transforming the rhythm until it feels more natural.

Utilization of The Score:

• Identifying Patterns: Use the repetition of melodic phrases as a way to build confidence. Mark sections that recur (such as the playful motif from measures 36-40) and focus on these patterns to reinforce learning.

• Dynamic Control: Encourage dynamic variance in performance. Work on playing softer in the left-hand accompaniment while bringing out the melody distinctly in the right hand, emphasizing the contrast especially in the dramatic sections like measures 50-55.

The piano score for "We Don't Talk About Bruno," composed by Ogrite Samptian, is written in the key of Eb Major and features a 4/4 time signature. The piece unfolds with a lively tempo of 103 BPM, making it both engaging and rhythmic.

Unique Features:

• Melody and Harmony: The score prominently displays the main melody in the upper register, particularly from measure 3 onward, showcasing a blend of syncopated phrases and reinforcing the playful yet dramatic mood of the piece. The harmony beneath, played in left hand, provides a solid foundation with bass notes such as (A♭2_E♭3_A♭3), which supports the harmonic structure.

• Chord Progressions: The score utilizes common chord functions throughout, including I (Eb) and V (Bb), and employs a variety of extensions that contribute to a richer texture—particularly in the chorus, where ninth and eleventh chords create a colorful harmonic environment.

• Rhythmic Patterns: The piece features a mixture of quarter notes, eighth notes, and dotted rhythms, which enhance its energetic and upbeat character. Particularly in measures 15-20, the syncopation captures the listener’s attention and lends a dance-like quality to the melody.

• Thematic Development: There are notable thematic recurrences, especially in the refrain. Measures 36-40 underscore a distinct melodic motif that epitomizes the song's spirit, emphasizing interaction between sections.

We Don't Talk About Bruno

• Artist
  Lin-Manuel Miranda
• Number of imitations:
  134
• Genre
  Lin-Manuel Miranda
• Key
  Eb
• Tempo
  103
• Pages
  5
• Notation
  Lin-Manuel Miranda
• Compose
  Ogrite Samptian
• Introduction
  We Don't Talk About Bruno' - Ogrite Samptian, This music is undefined, arr. by Lin-Manuel Miranda, Suitable for all students to learn