Evangelion: Both of you, dance like you want to win! - Shirō Sagisu

Some passages within this score present unique challenges for the pianist:

• Technical Complexity: The rapid alternation between voices, specifically from measures 7 to 8, involves swift transitions and coordination between hands, requiring adept finger independence.

• Pedaling Considerations: Effective use of the pedal is essential, especially in measures 9-10, where sustaining notes can create lingering harmonies while maintaining clarity. A careful application of legato will enhance melodic fluidity.

• Dynamic Control: The piece demands high emotional variation; for instance, in measures 13-14, articulating dynamic contrasts will be vital in conveying the piece's overall narrative—building tension and then resolving it.

To manage the identified challenges, here are some focused exercises:

• Hand Independence Exercises: Practicing scales and arpeggios separately will boost proficiency. In practice, specifically from measures 7-8, emphasize playing the right-hand melody with a separate rhythmic feel, concurrently maintaining the left hand's flow.

• Dynamic Exploration: Use a metronome for rhythm but vary dynamics deliberately. As you play through sections like measures 13-14, experiment with different dynamic contrasts to internalize expressive playing.

Sheet Music Analysis for "Evangelion: Both of you, dance like you want to win!" by Shirō Sagisu

This piano arrangement of Shirō Sagisu's well-known piece encapsulates a myriad of captivating musical elements, making it an exciting play for both the performer and the audience.

• Key and Meter: Composed in C Major and set to a 6/8 time signature, the piece's rhythmic flow evokes a sense of dance and movement characteristic of the original theme.

• Structural Analysis: The piece is structured into several distinct sections, notably the repetition of motifs. The first segment introduces a memorable melodic phrase (notably in measures 1-2) highlighting smooth transitions and engaging harmonic progressions, primarily utilizing chords from the I-IV-V cycle, which is prevalent throughout the score.

• Rhythmic Patterns: The rhythmic structure adheres to patterns that emphasize the compound meter, with reliance on eighth notes (e.g., measures 3-4), creating a vigorous feel that propels the music forward. The consistent use of syncopation adds to the engagement, especially in the left-hand part.

• Harmonic Descent: Measures 11-12 demonstrate a fascinating shift with descending harmonic movements that contrast the earlier upward motifs, showcasing Sagisu's ability to balance tension and release.

• Voice Layering: The score intricately utilizes harmony through both right and left hand interplays, particularly visible in measures 5-6 where the intertwining of melodic and harmonic lines enhances texture.

Both of you, dance like you want to win!

• Artist
  Shirō Sagisu
• Number of imitations:
  139
• Genre
  Shirō Sagisu
• Key
  C
• Tempo
  89
• Pages
  1
• Notation
  Shirō Sagisu
• Compose
  Shirō Sagisu
• Introduction
  Both of you, dance like you want to win!' - Shirō Sagisu, This music is undefined, arr. by Shirō Sagisu, Suitable for all students to learn