Hated by Life Itself - Kanzaki Iori

There are several performance challenges within this score that players at different levels may encounter:

• Rhythmic Complexity: Some passages feature syncopated rhythms and rapid note repetitions, demanding high precision in finger dexterity. For example, the section with the triplet feel or the rapid succession of notes in (E5.A5.)(D5_G5_)([D5][G5]) can be particularly difficult.

• Hand Coordination: Sending melodic lines between hands, particularly in segments like (G5.C6.G6)(E5_A5_E6_), requires adept coordination and control, especially since the left hand provides harmonic support while the right hand executes the melody.

• Dynamic Variations: This piece calls for nuanced dynamics, particularly in shaping phrases during contrasts, such as moving from softer dynamics at the beginning to more pronounced accents later on.

To effectively overcome the challenges presented in this piece, students can implement the following practice strategies:

Isolation of Parts:

Rhythmic Exercises:

• Use a metronome set to a slower tempo to build confidence with the syncopated rhythms. Gradually increase the speed as comfort grows, focusing on maintaining note accuracy.

Dynamic Control:

• Incorporate dynamic crescendos and decrescendos while practicing specific phrases, such as during (A5.A6)(C5_C6_)([C5][C6]), to enhance expressive playing.

• Introduce various touch techniques, such as staccato for passages like (E5_E6_)(D5D6) and legato during melodic segments. This not only improves clarity but also brings emotional depth to the performance.

The piece "Hated by Life Itself," composed by Kanzaki Iori, is written in the key of C Major and features a lively tempo of 200 BPM. The structure is primarily based on a 4/4 time signature, which facilitates a steady rhythmic pulse throughout the composition.

Melodic Structure:

• The main melody is predominantly found in the right-hand part, characterized by a mixture of repeated notes and varied rhythmic patterns. The melody prominently utilizes the notes G5, E5, D5, and C5, which form a coherent contour that subtly drives the piece forward.

• There are also moments of contrast introduced by the syncopated rhythms present in measures such as G4_[G4] in the third and the interplay of arpeggiated chords.

Harmonic Progression:

• The harmonic language exhibits a series of functional progressions within the tonic (I), subdominant (IV), and dominant (V) framework, evident in sections like D4.G4_[G4]E4, showcasing the chords moving fluidly in support of the melodic line.

Rhythmic Patterns:

• The piece utilizes varied rhythmic motifs, including pairs of quarter notes followed by eighth notes, which create engaging syncopated effects. For instance, the rhythm of the passage (G5.B5.E6)(G5_B5_E6_) introduces an interesting layer of complexity that enhances the overall texture.

Hated by Life Itself

• Artist
  Kanzaki Iori
• Number of imitations:
  61
• Genre
  Kanzaki Iori
• Key
  C
• Tempo
  200
• Pages
  8
• Notation
  Kanzaki Iori
• Compose
  Kanzaki Iori
• Introduction
  Hated by Life Itself' - Kanzaki Iori, This music is undefined, arr. by Kanzaki Iori, Suitable for all students to learn