Things We Lost In the Fire - Bastille

While this arrangement is playable for intermediate pianists, there are specific sections that may present challenges.

• Complex Rhythmic Execution: The syncopation and interleaving of eighth and sixteenth notes can create rhythmic displacement, particularly in measures 50 to 58. To navigate this, focus on practicing the rhythm in smaller sections, making use of a metronome to ensure stable timing.

• Dynamic Control: Achieving the contrasting dynamics required throughout the piece can be difficult, especially in measures 60 to 70 where the dynamics fluctuate widely. A gradual build-up, paired with a focus on touch sensitivity while practicing, may assist in mastering these transitions.

To better equip musicians with the skills required to perform this piece, the following recommendations are suggested:

• Use of a Metronome: Implement a metronome during practice, gradually increasing tempo as proficiency improves. Start at a slower tempo for the more complex sections, such as measures 50-58, then work to match the intended performance speed.

• Dynamic Mapping: Mark dynamic changes and practice these explicitly. For example, from measures 60-70, identify places where the dynamics shift from forte to piano. Practicing these with exaggerated dynamics can help solidify them in performance.

• Composer: Bastille

• Arranger: JDC

• Key: G Major

• Meter: 4/4

• Tempo: 120 BPM

• Instrumentation: Piano

• Tracks: 1

This arrangement of "Things We Lost In the Fire" captures the essence of the original with a rich, melodic structure. The primary melody primarily resides in the right-hand part, which features lively and emotive motifs that are characteristic of Bastille's musical style.

• Melody and Harmony: The score exhibits a conventional tonal progression, utilizing chord degrees such as I (G), IV (C), V (D), and vi (Em). The use of G major sets a warm and uplifting mood, suitable for the song's reflective theme.

• Rhythmic Patterns: Throughout the piece, particularly in measures showcasing motifs, you can find a predominant use of quarter notes and eighth notes, emphasizing a steady drive in the rhythm that complements the lyrical content.

• Textural Layers: The right hand exhibits a wide range of dynamics and accents that help highlight emotional peaks, particularly in passages around measures like 37 to 45, where the chords shift to create a sense of build-up. The left-hand part adds harmonic support, which is evident in sustained notes often anchored in a pedal point technique, particularly from measures 10 to 28.

Things We Lost In the Fire

• Artist
  Bastille
• Number of imitations:
  107
• Genre
  Bastille
• Key
  G
• Tempo
  120
• Pages
  5
• Notation
  Bastille
• Compose
  Bastille Arranged by JDC
• Introduction
  Things We Lost In the Fire' - Bastille Arranged by JDC, This music is undefined, arr. by Bastille, Suitable for all students to learn