What a Beautiful Name - Hillsong Worship

Though the piece conveys a sense of calmness, certain sections present challenges that require careful attention:

1. Hand Coordination: In bars 37-40, the left hand plays a bass line with occasional syncopation while the right hand executes melodic runs. This requires the pianist to develop independence between hands.

2. Dynamic Control: Throughout the piece, there are numerous abrupt dynamic shifts, particularly noted at bar 43 where a sudden decrease to piano contrasts significantly with preceding louder passages.

Suggested Solutions

• Use of Dynamics: Engage in exercises that emphasize dynamic variations. For example, specifically focusing on crescendos and diminuendos within a single phrase (as illustrated from bars 45 to 48).

Focus Areas for Mastery

1. Bars 5-12: Focus on the melodic flow and shaping phrases smoothly. Consider vocalizing the melody before playing to instill a natural phrasing.

2. Bars 37-44: For coordination practice, break the section down by hands. First, ensure the left-hand patterns are comfortable before integrating with the right hand.

3. Dynamic Exercise: In bars 43-60, practice building up the sound gradually before a sudden soft break. This will cultivate sound control and expression, essential for delivering the touch of the piece.

Tips for Effective Learning

• Recording Yourself: Listening to recordings of your practice can help gauge dynamic balance and expressiveness in your performance.

• Metronome Usage: Start with a slower tempo and gradually increase to full speed while ensuring accuracy and expression.

The arrangement is characterized by its melodic simplicity and harmonic richness, making it both accessible to beginner pianists and rewarding for more advanced players.

Form and Structure

• Verse and Chorus Design: The piece features a clear structure where alternating sections repeatedly return to a central, expressive theme. This cyclical nature enriches the emotional impact.

• Harmonic Progressions: The score primarily revolves around I (G), IV (C), and V (D) chords while occasionally exploring the contrasting voicings of the ii (Am) and vi (Em). For example, the recurring phrase through bars 1-8 solidifies G as the tonic, leading seamlessly through C and back to D in subsequent sections.

Melodic Characteristics

• The main melody, found predominantly in the right hand, is singable and flows elegantly. In bar 4, we observe a notable melodic leap with B4 transitioning down to A4 and G4 that enhances the lyrical quality of the theme.

Rhythmic Texture

• The 2/2 time signature allows for straightforward rhythmic execution. However, within this, there are moments of syncopation that drive the music forward, particularly in bars 13-16 where sixteenth notes punctuate lyrical phrases, thus creating an energetic lift.

What a Beautiful Name

• Artist
  Hillsong Worship
• Number of imitations:
  87
• Genre
  Hillsong Worship
• Key
  G
• Tempo
  120
• Pages
  3
• Notation
  Hillsong Worship
• Compose
  Words and Music by BEN FIELDING and BROOKE LIGERTWOOD Arranged by Phillip Keveren
• Introduction
  What a Beautiful Name' - Words and Music by BEN FIELDING and BROOKE LIGERTWOOD Arranged by Phillip Keveren, This music is undefined, arr. by Hillsong Worship, Suitable for all students to learn