Build My Life - Matt Redman/Pat Barrett/Brett Younker/Karl Martin/Kirby Kaple

Some sections contain intricate passages particularly in measures 8 (where rapid transitions between G4 and G5 occur) and measures 18-19 (which involve dotted rhythms and syncopations). These present a challenge in achieving a polished interpretation due to their speed and complexity.

2. Dynamic Control:

Maintaining appropriate dynamics is crucial in this piece, as the emotional impact relies heavily on expressive playing. The contrast between softer sections (measures 10 and 11) and the more powerful phrases (measures like 20 and beyond) necessitates careful control of the piano's nuances.

Addressing Performance Challenges

Break down complex measures (18-19) into smaller segments. Practicing each segment at a slower tempo and gradually increasing speed will develop muscle memory. Use a metronome to maintain consistent timing.

2. Dynamic Exercises:

Focus specifically on dynamic markings, practicing crescendos and decrescendos to internalize the emotional arcs present in the music. For instance, ensure that measure 10 transitions smoothly into the more assertive measures that follow.

3. Hands Separately:

4. Visualization:

Visualize the emotional context of the piece while practicing. Assign feelings or imagery to different sections to deepen expressive playing when you arrive at challenging passages.

• Frequent Revisions: Revisit difficult measures regularly, even after mastering sections, to keep them fresh and a natural part of performance.

• Record Yourself: Listening to recordings of your practice will help identify areas that need further refinement or dynamic adjustments.

"Build My Life," composed by Matt Redman, Pat Barrett, Brett Youngker, Karl Martin, and Kirby Kaple, showcases a heartwarming arrangement that beautifully integrates melody and harmony. The piece is set in G Major with a 4/4 time signature and a moderate tempo of 72 BPM, creating a serene yet impactful atmosphere suitable for both contemplative and worship settings.

Unique Elements

1. Melodic Structure:

The right-hand melody is prominent throughout the piece, demonstrating flowing lyrical lines. For example, in measures 3 and 4, the melody progresses with a seamless transition between B4 and A4, creating an expressive contour that captivates the listener.

2. Harmonic Progression:

The harmonic structure contains elements of traditional triadic harmony, frequently using the I-IV-V progression characteristic of contemporary worship music. In measure 2, we observe the shift from G4 to C5, transitioning smoothly into a rising melodic line that emphasizes the emotional reach of the piece.

3. Rhythmic Patterns:

The predominant use of quarter notes (E) combined with occasional eighth notes (E_) enhances the flow of the melody while providing rhythmic stability. In measures 5 to 6, the rhythmic consistency allows the musical lines to rise and swell, contributing to the song's uplifting message.

4. Use of Syncopation:

Slight rhythmic variations, particularly in measures 13-15, introduce syncopation, which adds an engaging dynamic element to the accompaniment. This rhythmic interest helps maintain the listener's attention while accentuating the song's poignant phrases.

Specific Measures Highlighted:

• Measures 3-4: Lyrical phrasing with melodic repetition emphasizing emotional resonance.

• Measures 11-12: Strong harmonic foundation with accompaniment and melody working in tandem, reinforcing thematic coherence.

Build My Life

• Artist
  Matt Redman/Pat Barrett/Brett Younker/Karl Martin/Kirby Kaple
• Number of imitations:
  72
• Genre
  Matt Redman/Pat Barrett/Brett Younker/Karl Martin/Kirby Kaple
• Key
  G
• Tempo
  72
• Pages
  3
• Notation
  Matt Redman/Pat Barrett/Brett Younker/Karl Martin/Kirby Kaple
• Compose
  Words and Music by MATT REDMAN, PAT BARRETT, BRETT YOUNKER, KARL MARTIN and KIRBY KAPLE Arranged by Phillip Keveren
• Introduction
  Build My Life' - Words and Music by MATT REDMAN, PAT BARRETT, BRETT YOUNKER, KARL MARTIN and KIRBY KAPLE Arranged by Phillip Keveren, This music is undefined, arr. by Matt Redman/Pat Barrett/Brett Younker/Karl Martin/Kirby Kaple, Suitable for all students to learn