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For All The People You've Killed - Jack Warren - Curleigh
Free Sheet music for Piano
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About this product
For All The People You've Killed, by Jack Warren
This piece, while engaging, includes several technical challenges that require careful attention:
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Fast Passages: The right hand must navigate rapid note sequences, particularly from B♭5 to E♭6 within short time frames. This can be challenging for players due to the required finger dexterity.
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Left Hand Coordination: The left hand plays a continuous rhythmic foundation, necessitating a consistent touch while simultaneously allowing the right hand's melody to stand out.
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Measures 9-12: The rapid sequences in the right hand and the additional notes in the left create a layered texture that can be difficult to execute smoothly.
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Measures 13-16: The interplay between hands during these measures might lead to rhythmic discrepancies if not practiced carefully.
To effectively tackle these challenges and develop technique, here are specific practice recommendations:
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Hands Separately: Begin by practicing the right hand melody alone, breaking down complex passages into manageable segments (e.g., measures 9-12). Gradually increase tempo as comfort grows.
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Isolated Left-Hand Exercises: Work on the left-hand chords separately, ensuring they are rhythmically solid and in time. Highlight one repeated pattern (like measures 5-8) to build consistency.
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Measures 1-4: Spend time here establishing a suave legato in the right hand before introducing any additional tension.
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Measures 25-28: Focus on the rise in intensity by stressing the dynamics; practice the crescendo leading into these passages to align visual and auditory sensations.
By following these targeted approaches, pianists will not only navigate the technical challenges but also enhance their interpretative skills, mastering both the melody and harmony in "For All The People You've Killed."
This arrangement promises to be an enriching experience for those looking to deepen their musicality while enjoying the nostalgic themes of Undertale. Happy practicing!
Analysis of "For All The People You've Killed" from Undertale: Last Breath
This piano arrangement of "For All The People You've Killed" by Jack Warren showcases a blend of melodic and harmonic complexity appropriate for intermediate to advanced pianists. Written in the key of E♭ major with a common time signature of 4/4, the piece is driven by a moderate tempo of 150 BPM.
Unique Features:
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Melodic Structure: The melody primarily unfolds in the right hand, characterized by a flowing line that showcases a range of notes, prominently featuring B♭5, G♭5, and E♭5. The sequence of notes creates a strong melodic identity that is engaging and memorable. Notably, measures 1 to 4 introduce this melody, establishing the thematic material crucial to the piece.
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Harmonic Progression: The left hand supports this melody with simple yet effective bass lines and harmonic underpinnings. The harmonic structure is predominantly based on I (E♭), IV (A♭), and V (B♭) chords, facilitating a seamless flow through the score. The left hand, especially in measures 5 to 8, features repetitive patterns that solidify the harmonic foundation while allowing the melody to soar above.
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Dynamic Contrasts: The piece employs a range of dynamics (though not explicitly noted) that can be inferred from the complexity of the passages—lighter in the introductory phrases and building in intensity as the piece progresses.
Specific Measures:
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Measures 1-4: Establish the core melody with a catchy rhythmic pattern that captures attention.
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Measures 25-28: These measures display a notable dynamic build-up and a more intricate harmonic texture, reflecting the emotional peaks of the composition.
For All The People You've Killed
- ArtistJack Warren
- Number of imitations82
- GenreJack Warren
- KeyEb
- Tempo150
- Pages-
- NotationJack Warren
- ComposeArranged by Jack Warren
- IntroductionAnalysis of "For All The People You've Killed" from Undertale: Last Breath This piano arrangement of "For All The People You've Killed" by Jack Warren showcases a blend of melodic and harmonic complexity appropriate for intermediate to advanced pianists.
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