Undertale The New Challenger OST - edwardmccorma - Mojoe Lindfie

An In-depth Analysis of "Undertale The New Challenger OST"

1. Score Appreciation

"Undertale The New Challenger OST" features a uniquely captivating structure, underpinned by its harmonic progressions and thematic transformations. The piece is set in the key of F major, notable for its bright and harmonious sound. The time signature of 4/4 provides a steady rhythmic foundation that is both approachable and versatile.

Harmonic Progression:

• The notable progressions throughout the piece include primary chords (I, IV, V) being predominant, with sections transitioning cleverly to embellish the melodic theme. For instance, measures 9 to 16 showcase a transition from I (F) to IV (B♭) and then to V (C), effectively reinforcing the harmonic framework.

Thematic Development:

• The main melody is characterized by its playful yet poignant motifs. In measures 3 to 7, the melody line primarily utilizes the notes C5, G5, and F5, which paint a vivid musical picture that aligns well with the game's narrative. Notably, phrases such as measure 14 provide a melodic ascent, heightening the emotive impact.

Rhythmic Variations:

• The rhythmic intricacies throughout the piece, including the use of syncopation and dotted rhythms, animate the score. For instance, measures 17 to 24 demonstrate a dynamic interplay between straight quarter notes and dotted rhythms, crafting a lively feel that enhances the listener's immersion.

Despite its charm, the piece presents several technical challenges for performers, particularly in the context of dynamics, articulation, and hand coordination.

• Measures 41 to 45 involve rapid note passages and changes in hand positions, which can be difficult to navigate smoothly. The presence of sixteenth notes in this section requires precise finger dexterity and control.

• Measures 55 to 62 feature a sudden shift in dynamics from piano to fortissimo, demanding a keen sense of touch and control over the keys to maintain the musical integrity.

Solutions:

• To overcome these difficulties, practicing hands separately initially is advisable. Focus on evenness of tone in measures 41 to 45, utilizing a metronome to establish a consistent tempo before combining hands.

• Gradually incorporating dynamics, starting with a softer touch in measures 55 to 62 and building intensity, will foster confidence in transitioning between dynamic levels effectively.