Throughout the score, several challenging passages require attention to both technique and expression:

Key Difficult Sections:

• Measures 12-15: Transitioning into quickly arpeggiated figures introduces a technical hurdle. The fast finger movements between (C5, D5, B♭4) require precise timing to ensure clarity.
• Measure 22: The passage (G4, F#4, E4) demands agility. It involves rapid alternations which may cause tension or unintended notes.
• Final Measures: The piece’s conclusion includes a return to a full, resonant chord like (B♭3, D4, G4) in a slightly diminished state, which requires both physical strength and an expressive soft touch to convey the closing sentiment effectively.

To address the identified challenges, consider the following structured approach:

Specific Techniques:

1. Finger Flexibility Exercises: Before tackling measures 12-15, practice ascending and descending scales to improve dexterity. Focus on smooth transitions between chords and arpeggios.
2. Dynamic Control: As the piece varies in intensity, practice emphasizing dynamics. In the final measures, try pairs of measures where you can practice varying volume levels to reinforce emotional expression.
3. Regular Repetition: Dive into repeated phrases in the opening sections, paying attention to articulation. This will prepare the performer for a full-bodied sound in later, contrasting sections, like those seen at the end of the piece.

Lastly:

To fully leverage the essence of "Feeling Good," keep the thematic messages in mind while playing. This emotional thread will not only improve technical execution but will also enhance the overall performance quality.

By addressing these elements, pianists can build both their technical skills and their interpretive depth in performing this beloved song. Enjoy exploring the uplifting journey that "Feeling Good" offers through its vibrant melody and rhythm!

Sheet Music Analysis of "Feeling Good"

1. Musical Appreciation

"Feeling Good," composed by Leslie Bricusse and Anthony Newley, is a captivating piece set in B♭ Major with a 12/8 time signature. The rhythm creates a lilting, swing-like feel that enhances the song's uplifting message. The piece follows a repeated structure primarily characterized by a combination of repeated triads and melodic ideas.

Structural Highlights

• Verse Structure: The song employs a strophic form with recurring phrases. Each segment maintains a consistent emotional intensity, supported by its 12/8 rhythm, which allows for expressive swells in performance.
• Chord Progressions: The use of triads such as (B♭3, D4, G4) throughout the piece establishes a rich harmonic foundation. Particularly interesting is the transition into (G4, B♭4, C5) in the third section, which introduces moments of tension and resolution that align with lyrics emphasizing liberation and rejuvenation.
• Rhythmic Patterns: The rhythmic grouping highlights syncopation and pushes the listener's expectations through unexpected rests, as seen in the transition at measures reflecting 0.G4_B♭4_C5 and subsequent melodic lines.

Feeling Good

• Artist
  lkj
• Number of imitations:
  74
• Genre
  lkj
• Key
  Bb
• Tempo
  117
• Pages
  3
• Notation
  lkj
• Compose
  Words & Music by Leslie Bricusse & Anthony Newley
• Introduction
  Feeling Good' - Words & Music by Leslie Bricusse & Anthony Newley, This music is undefined, arr. by lkj, Suitable for all students to learn