Septembers himmel er så blå - Otto Mortensen - Nelrist Hornrias

To overcome these challenges effectively, here's a structured approach to practicing the score:

1. Isolate Difficult Sections:

• Focus on measures 5-7 by playing each note slowly, emphasizing smooth transitions and gradual dynamics. Use a metronome set at a slower tempo to ensure evenness in touch.

2. Hand Coordination Exercises:

• For measures showcasing simultaneous notes (particularly measures 6 and 12), practice hands separately to develop comfort before combining them. Gradually increase the speed as confidence builds.

3. Dynamic Control:

• Use varied dynamics in practice to explore the emotional depth of the piece. For example, experiment with softer playing on the ascending phrases in measures 1-2 to create contrast with the stronger sections like measure 5.

4. Ornamentation Clarity:

• Spend extra time on measures 11-14 practicing ornaments separately to ensure crisp execution. Consider playing them slower initially and gradually increase the tempo.

5. Regular Review:

• Run through the piece daily, progressively piecing together sections while incorporating earlier suggested exercises, reinforcing muscle memory and overall fluidity.

"Septembers himmel er så blå," composed by Otto Mortensen in 1947, is characterized by its lyrical melody and charming harmonic progressions in the key of B♭ major. The score is structured in a 6/8 time signature, which lends a gentle, waltz-like feel to the piece.

Unique Features:

1. Melodic Structure:

• The primary melodic line predominantly features in the upper range of the piano, specifically showcasing a distinctive progression from F4 to G4, creating a sense of rise and flow.

• Notably, the melody opens in measures 1-2 with a flowing phrase that utilizes longer note values (e.g., F4_), establishing a sense of tranquility and grace.

2. Harmonic Progression:

• The harmony predominantly traverses the I-IV-V progression (B♭-E♭-F), allowing for a stable and familiar underpinning that supports the melodic line. For example, measure 5 begins with B♭4 and transitions smoothly through E♭4 to F4.

• The incorporation of chromatic notes, like C♯4 in measure 8, adds color and enhances the emotional character of the piece.

3. Rhythmic Patterns:

• The 6/8 time signature is utilized effectively throughout the score, allowing for both playful and flowing interpretations. Noteworthy rhythmic patterns are established in measures 6 and 12, where repeated triplets (e.g., G4F4E4 in 12) evoke a dance-like quality.

4. Use of Ornamentation:

• The piece features subtle ornamentations, especially around measure 7, where quick descending runs add a layer of expressiveness without overwhelming the primary melody.

Septembers himmel er så blå

• Artist
  Otto Mortensen
• Number of imitations
  20
• Genre
  Otto Mortensen
• Key
  Bb
• Tempo
  120
• Pages
  -
• Notation
  Otto Mortensen
• Compose
  Otto Mortensen, 1947
• Introduction
  "Septembers himmel er så blå," composed by Otto Mortensen in 1947, is characterized by its lyrical melody and charming harmonic progressions in the key of B♭ major. The score is structured in a 6/8 time signature, which lends a gentle, waltz-like feel to