Sheet Music Analysis for “Beautiful Things” arranged by Judah Esparza “Beautiful Things” demonstrates a heartfelt array of musical expression through its thoughtfully crafted structure. The piece is set in Bb Major, which is inherently warm and rich, enhancing the emotional resonance of the melody and harmonies. Phrase Structure and Harmonic Progression: The piece notably features a clear phrase structure, with sections that typically consist of repeated motifs and variations. For instance, the chord progression largely adheres to the I-IV-V (Bb-Eb-F) pattern throughout, transitioning smoothly and often returning to the tonic (I) in phrases such as measures 1-4 and 21-24. Rhythmic Patterns: The piece operates in a steady 2/4 time signature at a relaxed tempo of 70 BPM, granting it a gentle, flowing quality. This is particularly evident in measures 5-8, where the rhythmic simplicity allows the melodic line to shine, contrasting against rhythmic complexity in later sections, such as measures 13-16, where syncopation introduces an invigorating bounce to the performance. Melodic Lines and Decorations: The melody predominantly features a singable line with a few elaborate ornaments. For instance, the use of grace notes and trills in measures 10-12 adds an element of sophistication, enriching the main melodic ideas.

"Beautiful Things," composed by Erlind Walcent, is a beautifully structured piece written in Bb Major with a moderate tempo of 70 beats per minute and a 2/4 time signature. The unique characteristics of this score can be observed in its harmonic progressions, rhythmic patterns, and lyrical phrasing throughout specific measures. Key Features: Harmonic Structure: The composition primarily utilizes diatonic chords in Bb Major, showcasing the I-IV-V progression. Notably, in Measures 8-16, we observe a captivating shift between chord progressions, where a transition from Bb (I) to F (IV) creates an uplifting feel that enriches the atmosphere of the piece. The primary harmonies reflect the emotional character of the melody. Rhythmic Patterns: The rhythm predominantly employs a blend of quarter notes, eighth notes, and dotted notes which contributes to a light and flowing feel. Measures 1-4 exemplify a clear alternation between melody and accompaniment, emphasizing the main singing line in the right hand while providing harmonic support with the left hand. Melodic Lines: The main melody, primarily located in the right hand, is highlighted by its lyrical quality, demonstrating a mix of stepwise movement and occasional leaps which create expressive contours. This is particularly prominent in Measures 10-12, where the ascending scale-like patterns evoke a sense of yearning and beauty.

"Beautiful Things," arranged by Andrea DM, is set in the key of B-flat major. This piece is characterized by its 4/4 time signature, creating a steady and flowing rhythmic feel. The tempo of 70 BPM gives it a gentle, contemplative quality which is further emphasized by the lush harmonies present throughout the score. Unique Structural Elements The piece is structured in a manner that blends both melodic and harmonic elements seamlessly. The main melody is prominently presented, especially in the first few measures, where you can observe a strong melodic line with rhythmic integrity (measures 1-4). The melody prominently moves between G4 and D4, creating a sweet and uplifting theme which recurs throughout. The harmonic progression adheres to common conventions found in pop and classical music, primarily featuring I-IV-V-I progressions. For example, measures 5-8 transition through the IV (E♭) and I (B♭) chords, offering a sense of resolution. Decorative notes, such as grace notes and chromatic embellishments, appear in measures like 11 and 12, adding richness to the texture without overwhelming the main theme. The varied use of rhythmic patterns, particularly the contrast between the quarter notes and eighth notes, plays a crucial role in maintaining musical interest across sections. Key Changes and Rhythmic Patterns Interestingly, while the piece mainly resides in B-flat major, there are places where modal interchange is observed, adding a subtle complexity. For instance, a brief movement through E-flat major in measures 13-16 gives the piece a refreshing shift. Ritmic layers are well-balanced throughout, where the left-hand part harmonizes with the right-hand melody consistently. Consider measures 17-20; the left hand plays sustained bass notes (E♭ and B♭) that anchor the melody, providing a harmonic foundation essential for emotional conveyance.

Key Features: Key Signature: Bb Major, which establishes a warm, inviting atmosphere typical of pop ballads. Time Signature: 2/4, giving the piece a light and dance-like quality, which is often found in contemporary music. Tempo: Marked at 70 BPM, the piece allows for expressive playing, enabling the performer to deeply convey emotions. Structural Insights The piece predominantly features a combination of lyrical phrases and rhythmic patterns that underline its romantic context. The main melody primarily occupies the right-hand track, while the left-hand provides harmonic support that enhances the overall texture. Chord Progressions: The score reflects several common chord movements in popular music. Repeating patterns can be observed, particularly concerning the I (Bb), IV (Eb), and V (F) chords, providing a robust foundation for the melody. Specific Sections: Bars 1-4: The melody introduces a simple yet captivating motif; the melodic line ascends, capturing listener's attention. Bars 20-24: Chord changes feature prominently as the harmony grows richer, with additional thirds and sixths enhancing the dynamic feel. Rhythmic Characteristics The score utilizes varied rhythmic figures, particularly where the main melody becomes syncopated in sections, giving a sense of forward motion. In alternate segments, the rhythm becomes more straightforward, allowing for lyrical singing, effectively balancing complexity with accessibility.