What Was Lost -

While the piece is accessible, there are specific sections that present performance challenges:

• Bars 15-17: The rapid succession of notes in the right hand requires precision and finger independence. The use of triads (E5, G5, F#5) in a continuous manner can prove difficult for many players, as it demands a clean execution and voicing.

• Bars 23-26: The left-hand bass notes (E1, B1, E2) interplaying with melodic lines in the right hand can be challenging in terms of coordination.

2. Isolate Hands: Work on the left and right hand parts separately before integrating them, ensuring that each hand is confident in its line.

To effectively tackle the nuances in "What Was Lost," here are some specific strategies:

Focusing on Sections

1. Bars 15-17 (Right Hand):

• Drill the Shift: Isolate this section and practice each triad slowly. Gradually increase speed only after achieving accuracy.

• Use Finger Substitutions: Experiment with different fingerings to find a comfortable approach that allows seamless transitions between notes.

2. Bars 23-26 (Left Hand):

• Metronome Use: Start slow and use a metronome to build up to the original tempo gradually, ensuring rhythm accuracy.

Additional Tips

• Consistent Playing: Regularly play through the piece as a whole to build familiarity with sections, understanding their placement within the broader structure.

• Record Yourself: Listening back can provide invaluable insight into areas of strength and those requiring attention.

“What Was Lost” is framed in the key of G Major with a 3/4 time signature, creating a lilting and flowing rhythm that is conducive to expressive playing. The piece demonstrates a well-structured form with repeating motifs and contrasting sections, showcasing a range of emotional depth.

Harmonic Progression

The harmonic structure largely operates within the I-IV-V framework, prominently utilizing G major (I), C major (IV), and D major (V). This common progression occurs in several bars, particularly noticeable in the measures containing:

• Bars 5-6: The repeated motif with notes (E5, G5, F#5) suggests a progression leading to resolution.

• Bars 10-12: A shift occurs where the harmonics blend into a mixture of IV and V chords, creating tension that resolves back to I in subsequent sections.

Use of Rhythm

The 3/4 time signature invites a waltz-like feel, where each section can be easily divided into three beats. The interplay between right-hand melodic motifs and left-hand harmonic support results in a rich auditory texture. For instance, the presence of syncopated rhythms in certain bars enhances the piece's playful character.

Ornamentation

Throughout the piece, there are instances of grace notes and approaching tones that add expressiveness. Particularly in bars 20-22, we observe a beautiful sequence of ascending grace notes leading into the main theme.

What Was Lost

• Artist
  -
• Number of imitations:
  50
• Genre
  -
• Key
  G
• Tempo
  120
• Pages
  2
• Notation
  -
• Compose
  Zach Beever
• Introduction
  What Was Lost' - Zach Beever, This music is undefined, arr. by undefined, Suitable for all students to learn