Casablanca - Bertie Higgins

This score poses several technical challenges:

• Large Interval Jumps: Measures 16 to 20 contain significant interval leaps between notes like C5 and A4, which may require careful finger positioning and memorization.

• Rhythmic Precision: The dotted rhythms and syncopation found in measures 29 to 32 demand clear articulation and steady tempo adherence, which can be tricky, especially at a moderate pace.

• Dynamic Control: There are numerous sections where dynamic contrast plays a crucial role. For instance, in measures 45 to 49, the soft playing transitions to a louder dynamic quite suddenly, requiring skilled control of dynamics to maintain musicality.

To navigate the technical challenges effectively, consider the following practice strategies:

• Breaking Down Sections: Isolate the large interval jumps (e.g., measures 16-20) and practice them slowly. Start with each hand separately before combining them. Gradually increase the speed as you gain confidence.

• Rhythmic Exercises: Use a metronome to practice the dotted rhythm sections. Begin by playing the rhythm at a slower tempo, focusing on maintaining integrity of the off-beat accents. Gradually speed up while keeping the rhythmic accuracy intact.

• Frequent Repetitions: Regularly practicing repetitive phrases (e.g., motifs from measures 4 to 8) helps solidify their placement in memory and build fluidity in performance. Incorporate varied dynamics and tempos to keep the practice engaging.

Detailed Analysis of "Casablanca" by Bertie Higgins

The piece "Casablanca" is written in C major with a 4/4 time signature and a moderate tempo of 85 BPM, offering a gentle and flowing character well-suited for piano interpretation. The unique aspects of this score are characterized by its melodic structure and harmonic progression. The piece predominantly utilizes primary chords (I, IV, V) with notable moments of tension and release.

• Melodic Structure: The melody often features stepwise motions and repetitive phrases, which create a singable quality. For example, measures 4 to 8 introduce a motif based around the notes A4, G4, and B4, which is revisited in various forms throughout the piece, providing cohesion.

• Harmonic Progression: The score effectively employs a combination of the tonic (I), subdominant (IV) and dominant (V) harmonies. The progression in measures 15 to 19 employs V7 to I moves that accentuate the resolution back to the tonic, reinforcing the song's emotive qualities.

• Rhythmic Texture: The rhythm is primarily straightforward, with a mix of quarter and eighth notes that create a flowing and accessible feel. The introduction of dotted rhythms in measures 29 to 34 adds interest, allowing for expressive phrasing.

• Decorative Elements: Throughout the score, trills and accents enhance the emotional delivery, particularly evident in measures 35 to 40, where the interplay of F5, E5, and D5 provides a nuanced touch shaping the dynamic contours.

Casablanca

• Artist
  Bertie Higgins
• Number of imitations:
  27
• Genre
  Bertie Higgins
• Key
  C
• Tempo
  85
• Pages
  2
• Notation
  Bertie Higgins
• Compose
  Words & Music: BERTIE HIGGINS
• Introduction
  Casablanca' - Words & Music: BERTIE HIGGINS, This music is undefined, arr. by Bertie Higgins, Suitable for all students to learn