Upon examining the score, several performance challenges are identifiable:

• Fast Passagework: The right hand features rapid sequences, especially between measures 15-20. The consecutive sixteenth note runs can be tricky, requiring nimble finger movements and precise timing.

• Syncopation and Dynamics: Navigating through the syncopated rhythms, while maintaining dynamic contrasts can be challenging, particularly in measures 50-55. The need to control volume while executing leaps and syncopation requires a refined technique.

Suggested Solutions:

To effectively tackle the identified difficulties and to master the musicality of "Feeling Good," consider the following practice strategies:

Focused Exercises:

• Use a Metronome: Employ a metronome when addressing rhythmically complex areas, especially in the transition between slower and faster passages (measures 30-34). Start at a slower tempo and gradually elevate as proficiency improves.

Musical Expression:

• Dynamics and Articulation: As you work through the score, continuously refer back to dynamic markings. Experiment with varying dynamics at various sections of the piece, focusing on how these changes affect the emotional arc.

• Phrase Shape: Pay attention to phrasing, particularly in lyrical sections. Experiment with shaping melodies as lyrical lines, emphasizing certain note placements to enhance expressivity.

Through diligent practice and attention to detail, both technical prowess and expressive interpretation can be refined, ultimately leading to a compelling performance of "Feeling Good."

Detailed Analysis and Description of the Piano Sheet Music: "Feeling Good"

The arrangement of "Feeling Good," composed by Leslie Bricusse and Anthony Newley, is set in B♭ Minor with a 12/8 time signature, providing a rich and dynamic rhythmic flow. The predominant use of triplet rhythms and syncopation throughout the piece allows it to exude a sense of both freedom and drive.

Structural Elements:

• Verse Composition: The piece follows a clear verse-chorus structure, transitioning smoothly while maintaining thematic cohesion. The melody is primarily carried in the right hand with expressive melodic lines, while the left hand provides steady harmonic support through repeated triadic motions (e.g., G3-B♭3).

• Harmonic Progressions: The harmony primarily revolves around the tonal center (B♭ minor), with common chords utilized including the dominant (F) and subdominant (E♭). This can be observed particularly in the progression between bars 10-12, where a sequence of B♭ - E♭ - F chords creates tension and release.

• Rhythmic Patterns: The ongoing use of eighth-note triplets and dotted rhythms adds depth to the texture, particularly evident in measures 30-34, where the rhythm fluctuates between driving beats and softer syncopated phrases.

• Dynamic Markings: The score employs various dynamic indications, encouraging performers to explore expressive contrasts – for instance, using piano and forte to differentiate between stanzas and create emotional impact.

Feeling Good

• Artist
  Michael Bublé
• Number of imitations:
  131
• Genre
  Michael Bublé
• Key
  bb
• Tempo
  108
• Pages
  4
• Notation
  Michael Bublé
• Compose
  Words and Music by LESLIE BRICUSSE and ANTHONY NEWLEY
• Introduction
  Feeling Good' - Words and Music by LESLIE BRICUSSE and ANTHONY NEWLEY, This music is undefined, arr. by Michael Bublé, Suitable for all students to learn